google.com, pub-5218662799448683, DIRECT, f08c47fec0942fa0 BKLVR: 2020

Tuesday, December 22, 2020

Nancy Willard & Michelle Burgess: Collaboration - Poem Made of Water

 Poem Made of Water 

A collaboration between Nancy Willard (author, poet) and Michelle Burgess (Artist and Founder of Brighton Press)

1992 Publication of the limited edition by Brighton Press (25 copies).



POEM MADE OF WATER    9 1/2 x 12 1/4; Artist Signed bottom Right
9 1/2 x 12 1/4; Artist Signed bottom Right

Praise to my text, Water which taught me writing,
and praise to the five keepers of the text,
water in Ocean, water in River, water in Lake
water in cupped hands, water in Tears.  Praise
for River, who says: Travel to the source, 
poling your raft of words, mindful of currents,
avoiding confusion, delighting in danger
when its spines sparkle, yet keeping
your craft upright, your sentence alive.
You have been sentenced to life.


ARTIST PROOFS
Each to Nancy Willard from Michelle Burgess
  
Image Size:  4 1/2 x 6 1/2

 Image size:  5" x 3"
After the poem, "In which I ask Water an Occasional Question"



Image size:  9" x 6"  - Matted

Wednesday, October 7, 2020

Martin Provensen, Tony the Tiger and Nancy Willard

 Martin Provensen - Tony the Tiger and Nancy Willard


Martin Provensen was a well known illustrator along with his wife Alice.  He developed the "Tony the Tiger" image for Kelloggs, and wrote and illustrated numerous children's books.  In 1982 he was a runner up for the Caldecott Medal for his work on "William Blakes Inn" for which Nancy Willard won the Newberry Prize.

Information on Martin can be found at:  https://en.wikipedia.org/wiki/Alice_and_Martin_Provensen


Provensen and his wife lived in Dutchess County NY, as did Nancy Willard, husband Eric Lindbloom and son James.



Some interesting correspondence between Nancy and Martin follows.  This  sketch of Tony - writing a note was done on a piece of newsprint.







Thursday, September 17, 2020

Alex's Chair - The Legacy of a Camp Interlaken Caretaker


 
The five-hour trip to Interlaken from Milwaukee went a little faster than it should have. Larry and I were headed up to camp early to help get things ready for the summer. Someone had donated an old UPS truck — a rickety brown box of a thing that looked like it had delivered every package in Wisconsin. UPS had definitely gotten every nickel of value out of it.

To save time, Larry and I didn’t stop to switch drivers. The truck had a jump seat, so when it was my turn, I’d stand next to Larry, grab the wheel while he still had his foot on the gas, and slide into the seat as he slid out. Oh, to be young again — and that dumb. We probably shaved fifteen minutes off our time.

Interlaken was a rustic place in the 1970s. Its beauty lay in the setting and the experience, not the facilities. Camps today have become more like resorts, but back then the season was simple: a week of training, nine weeks of campers, and a week of family camp. Ateret, our fierce leader and Camp Director, gave us the chance to make the season a little longer by having us come early to help Alex, the caretaker, get camp ready.

Alex was a camp character and a legend. He wasn’t like the adults we middle- and upper-middle-class college kids were used to. He’d retired from a factory job and taken up caretaking as his retirement career. He spent five months a year at camp — open, maintain, and close — and when he finally locked the gate at summer’s end, he’d say, “She sleeps.” Actually, it came out more like “She sh-leeps,” thanks to his thick northern Wisconsin brogue.

Alex inspected the old truck Larry and I had captained up to Eagle River and pronounced it “adequate” for hauling camp’s rubbish to the dump. Then he customized it — by pulling out the passenger seat to make more room for garbage — and christened it the Maggot Mobile.

Camp’s waste management system revolved around the maintenance shack. If it didn’t burn in the incinerator, it went into the Maggot Mobile. The incinerator sat nestled in the pines beside the shack, with the truck parked nearby and ready to haul the non-burnables. Every so often, Alex would toss an aerosol can into the flames just for fun. The resulting explosion sent fire shooting out the back, top, and short chimney of the incinerator. It remains eternal proof of God’s presence that the camp never burned to the ground.

Alex took his job seriously and expected us to do the same. He let us know that “the boss-lady” wanted results. He liked to demonstrate the difference between “hourly pay” and “by the job” work. Picking up a hammer and nail, he’d show us how the hourly worker would take one light tap, then grab a cigarette and a coffee. The “by the job” worker, meanwhile, grabbed a handful of nails, stuffed a few in his mouth, and drove them home without pause. Alex made it clear which kind of worker he expected us to be.

The boss-lady — who would laugh when I called her “hard ass” — told Alex to have us focus on building the tent platforms for K’far Noar, the new teen village. When weather didn’t cooperate, we were to repaint the windows in the Chadar, the dining hall. The Chadar’s windows were beautiful: old-fashioned, multi-paned, and plentiful.

We built the tent pads first. Alex laid out the framing and showed us how to mount it on cinder blocks to level it on the uneven ground. His know-how was far greater than our muscle, but somehow we made it work.

Every morning we met Alex at the maintenance shack — a one-car garage filled with what looked like a century’s worth of leftovers: springs, pipes, bits of wood, drawers of mismatched screws and bolts. It was chaos. In other words, perfect. Alex, though, was particular about his tools.

As we planned the day’s tasks, we’d stand in the open doorway listening to his instructions. Every so often, Alex — who must have been born with chewing tobacco in his mouth — would spit. And he had a remarkable gift: he could spit around corners. Standing at the front of the garage, we’d watch in awe as his tobacco juice curved miraculously around to the side of the building. He never once hit the wood bin. I still marvel at that talent.

Springtime in northern Wisconsin can be glorious — bright mornings, cool air, and warm afternoons. But when the rains came, the Chadar windows called. We grabbed brushes, drop cloths, paint, and scrapers. There were so many windows, each with twelve panes. I learned to paint small spaces with a big brush and discovered that in the dark, every mistake shows. During the day, the light was forgiving. But at night, those stray splotches of paint stood out like stars.

Alex taught me the secret: a good razor beats dried paint every time.

Most people remember camp through what I call the Three S’s — Spirituality, Socialization, and Sexuality. Camp has those in abundance. But the real gifts run deeper. My time with Alex taught me about work, aging, and the satisfaction of doing things “by the job.” He showed me how patience, precision, and a sense of humor can get you through most of life’s messes — whether you’re building tent platforms or scraping paint.

My recent effort to reimagine an old Victorian chair probably wouldn’t have earned Alex’s approval. But it got me thinking about painting, aging, and seeing the world a little differently. Like paint on glass, life’s imperfections show up most clearly in the dark.

Thanks, Alex. You sure made a difference.













Camp Interlaken JCC is the Resident Camp of the Jewish Center of Milwaukee.  The camp first opened in 1966, having been purchased as a functioning camp.  It is located in Eagle River Wisconsin.

David Friedman was at Camp Interlaken JCC

The summer of 1971 - Counselor and Nature Specialist

Summers of 1973, 74, 75 - Trip Leader

Summer of 1977 - Waterfront Director

Summers of 1985, 86, 87, 88, 89 - Camp Director (and the rest of the year too!}






Saturday, August 22, 2020

Willy Jaeckel - German Expressionist

 Willy Jaeckel was a highly regarded German Expressionist and lithographer.

10 February 1888, Breslau - 30 January 1944, Berlin


His work appeared in the Olympics in 1928 and 1932, which at that time included art.  He was a professor who lost his position when the Nazis came to power, though his students successfully lobbied for his reinstatement.  Some of his work was classified as "degenerate."  Jaeckel's studio was destroyed in 1943 during bombings of Berlin, and in 1944 his apartment was destroyed by bombing and he lost his life in the rubble.

Following are two pieces that were brought to the United States by author Ilse Vogel.  Jaeckel was part of a group of artists and authors who resisted Nazism from within Berlin, and Ja.  Vogel wrote a well received and successful book about her time in Berlin - Bad Times, Good Friends.  Vogel married illustrator Howard Knotts and lived in Dutchess County.  The works below were part of the estate of Nancy Willard (author and Illustrator) and her husband Eric Lindbloom (Photographer), who were friends of Vogel and Knotts, and who served as executor's of their estate.  Knotts illustrated several of Nancy Willard's books.

Both of the works that follow are printed on paper from Verlag Euphorion.  Euphion had published several of Jaeckel's works in books/portfolios, but these, while ready for inclusion, do not seem to have been ever made available.  Verlag Euphorion  ceased operation by early 1933.  It's owner, Ernst Rathenau, emigrated to the United States.  Rathenau was Jewish, and the Nazis suspended the operation of Verlag Eurporion in 1933. Consequently these works are probably from within the period 1925-1932.   Rathenau was a collector and very interested in German Expressionism.   Additional information about Rathenau and Verlag Euphorion can be found on a page published by MOMA.  https://www.moma.org/s/ge/collection_ge/artist/artist_id-19268_role-3_thumbs.html


Sebastian was issued in a limited edition of 25.  






Friday, August 7, 2020

Helen Siegl - Katie Krodel Artbook - Maria Durch Ein Dornwald Ging

Maria Duch Ein Dornwald Ging is an old German Christmas Song (Maria Walks in the Thorns).  




Wikipedia provides a history of the song including some information on its written forms.  

The version we show is a 1973 reprinting of the text from 1838 - Christmas Song from North Tyrol - 1838.  The blocks were printed by Katie Krodel with specially designed blockprints by Helen Siegl.  The work is on Ingress Paper, done in an edition of 25 artist signed copies.  



 This is copy #2 and we are not aware of other copies being available.  The book is produced with pages in "accordion"  style.

It is about 8 1/4" x 4" (closed) and has 8 printed pages.








Monday, August 3, 2020

Nancy Willard - Author, Artist, and creative spirit

NANCY WILLARD  (June 26, 1936 – February 19, 2017)[1] was an American writer: novelist, poet, author and occasional illustrator of children's books

She won the 1982 Newbery Medal for A Visit to William Blake's Inn.  Throughout her career also won other awards.  She published more than 70 works.

Willard taught at Vassar College in the English Department.  While best known for her literary and children's writing, she also was a creative spirit.  Following are a number of creative photographic pieces that Nancy completed in February 1994.  Shown here for the first time, we are in the process of preparing an exhibit of her art work, which is quite varied.

Nancy worked with all kinds of art.  She would make dolls to reflect characters in some of her books, and use them to spark her imagination.  Some of her painted furniture has been exhibited, but we are preparing a much larger and definitive exhibition of her work.  Friends would write to Nancy and sometimes send gifts.  She would respond with a gift of her own -- sometimes it would be a hand painted and personally designed egg representative of the depth of her imagination.

Follow our blog to keep abreast of plans for a show of Nancy's art.  

Each image measures 10 x 7











Tuesday, July 14, 2020

Don E. Hildreth - Private Press - Ash Ranch Press

Prior to Don Hildreth's time in San Diego, where he founded the Ash Ranch Press, he lived in New York.

Following are some of the pieces of ephemera that we have collected about that time in his life.




You are specifically drawn to spend "An Evening in Draculiana"

October 28, 1978

Signed by Hildreth #6/21

We believe this piece was designed by Robert Kramer based on the logo at the bottom.  Kramer was probably involved in various design projects for Hildreth.







Card and envelope from Don Hildreth - copyright 1983

Reads:  Don We Now Our Gay Apparel Funna Baa Lou & Jung Ju Cho - Baa - Baa _ Blue  Hildreth  1983-1984






Guest Who's coming to dinner?

2 Pieces each 11 1/2" x 7 1/2 (Image)

One is the original collage, and the other is the colorized representation of same.  The colorized piece is matted on a black matte.

















2 Collages by Don Hildreth

Crazy Cats and other Creatures

What ever happened to Charlotta Twill?


















1984  

A limited edition calendar produced by Don Hildreth


Dedicated to George Orwell

Copy from the first interior page of the calendar. . .

The following collection of photographs were originally published (circa 1900) in Germany.  They were the collaboration of M. Koch and O. Reigh as an art students portfolio entitled:  DER ACT.  Published as a limited & numbered edition - 


A rare piece of the work of Hildreth.


Wednesday, June 17, 2020

Antioch Bookplate Collection - Ex Libris

The Antioch Bookplate Company was founded in 1926 by two Antioch College students.  They started the business as a class project and when they graduated continued it.  Over the years the company grew, and changed, and ultimately the division that made bookplates was sold (in 2008).    A short history of the company can be found by clicking here.  

The company published bookplates that could be customized for the buyer, and also sold "blank" bookplates which were available in retail shops (typically bookstores).  Notably, the company engaged well known artists to design some of the plates such as Lynd Ward and Rockwell Kent.  These specific plates are highly sought after by collectors.


Boxed Cards 

Boxed Set of Mushroom Cards - contains 50 unused gum backed cards.  










Golden Wings by Boris Vallejo - contains 47 unused gum backed cards.










Boxed Set with labeled cover:  A Book is a New Adventure - Contains 47 unused gum backed cards.










Boxed Set:  "From the Library of" Cat motif.  Contains 16 peel back labels.










Boxed Set, never opened.  Ex Libris with medical symbol.  Contains 50 bookplates.










Boxed Set, never opened.  Ornate medical symbol, Ex Libris.  Contains 50 bookplates










Boxed Set, never opened.  Hippocratic oath.  Contains 50 bookplates.









Boxed Set, never opened.  Hippocrates with symbol over Greek building.  Contains 50 bookplates.










Carded/Enveloped Sets of Bookplates

Boy in a Tree - 2 plastic packs of 11 cards each (22 total).  Peel off backs.










Ex-Libris Cat on Books.  Paper pack of 12 cards.  Never opened










Girl Reading.  Plastic pack of 15 self stick, peel off back bookplates.










Jungle image.  Plastic pack of 13 self stick, peel off back bookplates.










Fantasy dragon.  Paper pack of 12 self stick, peel off back bookplates.