google.com, pub-5218662799448683, DIRECT, f08c47fec0942fa0 BKLVR: 2020

Tuesday, December 22, 2020

Nancy Willard & Michelle Burgess: Collaboration - Poem Made of Water

 Poem Made of Water 

A collaboration between Nancy Willard (author, poet) and Michelle Burgess (Artist and Founder of Brighton Press)

1992 Publication of the limited edition by Brighton Press (25 copies).



POEM MADE OF WATER    9 1/2 x 12 1/4; Artist Signed bottom Right
9 1/2 x 12 1/4; Artist Signed bottom Right

Praise to my text, Water which taught me writing,
and praise to the five keepers of the text,
water in Ocean, water in River, water in Lake
water in cupped hands, water in Tears.  Praise
for River, who says: Travel to the source, 
poling your raft of words, mindful of currents,
avoiding confusion, delighting in danger
when its spines sparkle, yet keeping
your craft upright, your sentence alive.
You have been sentenced to life.


ARTIST PROOFS
Each to Nancy Willard from Michelle Burgess
  
Image Size:  4 1/2 x 6 1/2

 Image size:  5" x 3"
After the poem, "In which I ask Water an Occasional Question"



Image size:  9" x 6"  - Matted

Wednesday, October 7, 2020

Martin Provensen, Tony the Tiger and Nancy Willard

 Martin Provensen - Tony the Tiger and Nancy Willard


Martin Provensen was a well known illustrator along with his wife Alice.  He developed the "Tony the Tiger" image for Kelloggs, and wrote and illustrated numerous children's books.  In 1982 he was a runner up for the Caldecott Medal for his work on "William Blakes Inn" for which Nancy Willard won the Newberry Prize.

Information on Martin can be found at:  https://en.wikipedia.org/wiki/Alice_and_Martin_Provensen


Provensen and his wife lived in Dutchess County NY, as did Nancy Willard, husband Eric Lindbloom and son James.



Some interesting correspondence between Nancy and Martin follows.  This  sketch of Tony - writing a note was done on a piece of newsprint.







Thursday, September 17, 2020

Alex's Chair - The Legacy of a Camp Interlaken Caretaker


 The five hour trip to Interlaken from Milwaukee went a little faster than it should have.  Larry and I were headed up to camp early to help get camp ready to open for the summer.  Someone had gotten hold of an old UPS truck and donated it to the camp. We were tasked with getting it to camp. It was a rickety old brown box of a truck, UPS definitely got every nickel of value out of the thing. To save time on the drive, Larry and I didn't stop to switch drivers. The truck had a jump seat for the driver, so when it was time to switch, I would stand next to Larry, taking the wheel from him with his foot still on the gas as he worked his way out of the seat, and I simultaneously worked my way into it, resuming full on driving.  Oh, to be young again--and that dumb. We probably shaved 15 minutes off our time.

Interlaken was a rustic place in the 1970's.  The beauty of the camp was in the setting and what it did rather than the facility. Camps have generally morphed into more sophisticated, resort- like facilities over the years.  Back then, the camp season was 11 weeks: a week of training, nine weeks of campers, and a week of family camp.  Ateret, our fierce leader and Camp Director, gave us the chance to make the season a bit longer by having us come up to help Alex, the caretaker, to get camp ready.

Alex was a camp character and a legend.  He wasn't like most of the adults we middle and upper middle class young people usually encountered. Alex retired from his factory job and took up caretaking as his retirement career.  He was at camp for 5 months.  Open, maintain, and close.  At the end of  his camp season, as he locked the gate for the final  time, he would say, "She Sleeps."   It really came across as "She sh-leeps" because of his northern Wisconsin brogue.

Alex checked out the new truck that Larry and I captained up to Eagle River, and pronounced it adequate to haul the camps' rubbish to the dump.  He customized it by pulling out the passenger seat to make more room for garbage, thren christened it the "Maggot Mobile."  

Camp’s waste management system was centralized at the maintenance shack.  If it didn’t burn in the incinerator, it would get tossed in the Maggot Mobile.  The incinerator was nestled in the pines right next to the maintenance shack with the truck ready to take the non-burnables.  Sometimes Alex, for fun,  would toss some aerosol cans into the incinerator.  It’d create a mini-explosion and would send flames out the back, the top and really blow through the short chimney.  It remains eternal proof of God’s presence that the camp never burned to the ground.

Alex let us know that "the boss-lady" wanted us to get things done.  He showed a manager's disdain for hourly employees by demonstrating the difference between hourly pay and "by the job" pay.  Picking up a hammer and a nail, the hourly worker would take a light tap at the nail, and then grab his coffee or cigarette and take a well deserved break.  The “by the job” worker, would pick up the hammer, and handful of nails, putting the extras in their mouth, and brutalize those nails till they were in place.  Alex expected his charges to be "by the job."

The boss-lady, who would laugh when I called her "hard ass", let Alex know that we were to concentrate on building the tent platforms for K'far Noar, the newly developed teen village.  When weather wasn't permitting, we were to repaint the windows in the Chadar (the dining room).  The dining room had beautiful windows, most in the old simple style of multi-panes.

The framing for the tent pads was laid out, with the frame being mounted on cinder blocks to keep it off the ground, and to compensate for the uneven terrain. Alex did that with our muscle and his know-how.  His know-how was certainly greater than our muscle.  

First thing in the morning we'd meet Alex in the maintenance building.  A single car garage that was the maintenance shack at camp.  It was an absolutely horrendous conglomeration of springs, wood, screens, pipes, plumbing parts, drawers of screws and nuts/bolts. There was no real organization.  In other words, just about perfect.  Alex, though, was very particular about his tools.  

Planning the day's tasks we'd stand in the garage listening to our leader.  Every so often Alex, who must have been born with chewing tobacco in his mouth, would spit.  He  had a remarkable gift: he could spit around corners.  We'd be at the open garage door in the front of the garage, and his tobacco spit would travel right around to the side of the garage -- swear to God.  He was so good that his spit’s trajectory would miss the wood bin attached to the side of the building, every time.  I still marvel at this gift

Springtime in Northern Wisconsin can be beautiful.  Sunny, bright with cool mornings transforming into warm days.  The rains, of course, came.  The Chadar windows beckoned.  We'd grab bushes, drop cloths, paint and scrappers.  There were so many windows in the Chadar, and  each had window 12 panes.  I learned to paint in tiny places with a big brush. I learned that under the cloak of darkness all errors would be revealed. The places where the paint splotched on the windows (many) became magnified in the dark. Our eyes are a bit more forgiving in the light of day, but at night the eyes work harder and the errors are more apparent.  Alex taught me that painting in tight places requires a good razor.  That razor beats dried paint every time.

Most memories of camp, particularly those felt by people who were powerfully impacted by it, involve some mixture of the Three S's: Spirituality, Socialization, and Sexuality.  While camp provides the Three S's in abundance, they are only a part of camp”s gifts and lifelong lessons. My relationship to Alex contributed to my understanding of work, of aging, and, not insignificantly, how to handle a paint brush.


My efforts to re-imagine this Victorian Era chair probably wouldn't have gotten rave revues from Alex.  It did get me thinking about painting, aging, and seeing the world a little differently.  Thanks Alex.  You sure made a difference.










Camp Interlaken JCC is the Resident Camp of the Jewish Center of Milwaukee.  The camp first opened in 1966, having been purchased as a functioning camp.  It is located in Eagle River Wisconsin.

David Friedman was at Camp Interlaken JCC

The summer of 1971 - Counselor and Nature Specialist

Summers of 1973, 74, 75 - Trip Leader

Summer of 1977 - Waterfront Director

Summers of 1985, 86, 87, 88, 89 - Camp Director (and the rest of the year too!}






Saturday, August 22, 2020

Willy Jaeckel - German Expressionist

 Willy Jaeckel was a highly regarded German Expressionist and lithographer.

10 February 1888, Breslau - 30 January 1944, Berlin


His work appeared in the Olympics in 1928 and 1932, which at that time included art.  He was a professor who lost his position when the Nazis came to power, though his students successfully lobbied for his reinstatement.  Some of his work was classified as "degenerate."  Jaeckel's studio was destroyed in 1943 during bombings of Berlin, and in 1944 his apartment was destroyed by bombing and he lost his life in the rubble.

Following are two pieces that were brought to the United States by author Ilse Vogel.  Jaeckel was part of a group of artists and authors who resisted Nazism from within Berlin, and Ja.  Vogel wrote a well received and successful book about her time in Berlin - Bad Times, Good Friends.  Vogel married illustrator Howard Knotts and lived in Dutchess County.  The works below were part of the estate of Nancy Willard (author and Illustrator) and her husband Eric Lindbloom (Photographer), who were friends of Vogel and Knotts, and who served as executor's of their estate.  Knotts illustrated several of Nancy Willard's books.

Both of the works that follow are printed on paper from Verlag Euphorion.  Euphion had published several of Jaeckel's works in books/portfolios, but these, while ready for inclusion, do not seem to have been ever made available.  Verlag Euphorion  ceased operation by early 1933.  It's owner, Ernst Rathenau, emigrated to the United States.  Rathenau was Jewish, and the Nazis suspended the operation of Verlag Eurporion in 1933. Consequently these works are probably from within the period 1925-1932.   Rathenau was a collector and very interested in German Expressionism.   Additional information about Rathenau and Verlag Euphorion can be found on a page published by MOMA.  https://www.moma.org/s/ge/collection_ge/artist/artist_id-19268_role-3_thumbs.html


Sebastian was issued in a limited edition of 25.  






Friday, August 7, 2020

Helen Siegl - Katie Krodel Artbook - Maria Durch Ein Dornwald Ging

Maria Duch Ein Dornwald Ging is an old German Christmas Song (Maria Walks in the Thorns).  




Wikipedia provides a history of the song including some information on its written forms.  

The version we show is a 1973 reprinting of the text from 1838 - Christmas Song from North Tyrol - 1838.  The blocks were printed by Katie Krodel with specially designed blockprints by Helen Siegl.  The work is on Ingress Paper, done in an edition of 25 artist signed copies.  



 This is copy #2 and we are not aware of other copies being available.  The book is produced with pages in "accordion"  style.

It is about 8 1/4" x 4" (closed) and has 8 printed pages.








Monday, August 3, 2020

Nancy Willard - Author, Artist, and creative spirit

NANCY WILLARD  (June 26, 1936 – February 19, 2017)[1] was an American writer: novelist, poet, author and occasional illustrator of children's books

She won the 1982 Newbery Medal for A Visit to William Blake's Inn.  Throughout her career also won other awards.  She published more than 70 works.

Willard taught at Vassar College in the English Department.  While best known for her literary and children's writing, she also was a creative spirit.  Following are a number of creative photographic pieces that Nancy completed in February 1994.  Shown here for the first time, we are in the process of preparing an exhibit of her art work, which is quite varied.

Nancy worked with all kinds of art.  She would make dolls to reflect characters in some of her books, and use them to spark her imagination.  Some of her painted furniture has been exhibited, but we are preparing a much larger and definitive exhibition of her work.  Friends would write to Nancy and sometimes send gifts.  She would respond with a gift of her own -- sometimes it would be a hand painted and personally designed egg representative of the depth of her imagination.

Follow our blog to keep abreast of plans for a show of Nancy's art.  

Each image measures 10 x 7











Tuesday, July 14, 2020

Don E. Hildreth - Private Press - Ash Ranch Press

Prior to Don Hildreth's time in San Diego, where he founded the Ash Ranch Press, he lived in New York.

Following are some of the pieces of ephemera that we have collected about that time in his life.




You are specifically drawn to spend "An Evening in Draculiana"

October 28, 1978

Signed by Hildreth #6/21

We believe this piece was designed by Robert Kramer based on the logo at the bottom.  Kramer was probably involved in various design projects for Hildreth.







Card and envelope from Don Hildreth - copyright 1983

Reads:  Don We Now Our Gay Apparel Funna Baa Lou & Jung Ju Cho - Baa - Baa _ Blue  Hildreth  1983-1984






Guest Who's coming to dinner?

2 Pieces each 11 1/2" x 7 1/2 (Image)

One is the original collage, and the other is the colorized representation of same.  The colorized piece is matted on a black matte.

















2 Collages by Don Hildreth

Crazy Cats and other Creatures

What ever happened to Charlotta Twill?


















1984  

A limited edition calendar produced by Don Hildreth


Dedicated to George Orwell

Copy from the first interior page of the calendar. . .

The following collection of photographs were originally published (circa 1900) in Germany.  They were the collaboration of M. Koch and O. Reigh as an art students portfolio entitled:  DER ACT.  Published as a limited & numbered edition - 


A rare piece of the work of Hildreth.


Wednesday, June 17, 2020

Antioch Bookplate Collection - Ex Libris

The Antioch Bookplate Company was founded in 1926 by two Antioch College students.  They started the business as a class project and when they graduated continued it.  Over the years the company grew, and changed, and ultimately the division that made bookplates was sold (in 2008).    A short history of the company can be found by clicking here.  

The company published bookplates that could be customized for the buyer, and also sold "blank" bookplates which were available in retail shops (typically bookstores).  Notably, the company engaged well known artists to design some of the plates such as Lynd Ward and Rockwell Kent.  These specific plates are highly sought after by collectors.


Boxed Cards 

Boxed Set of Mushroom Cards - contains 50 unused gum backed cards.  










Golden Wings by Boris Vallejo - contains 47 unused gum backed cards.










Boxed Set with labeled cover:  A Book is a New Adventure - Contains 47 unused gum backed cards.










Boxed Set:  "From the Library of" Cat motif.  Contains 16 peel back labels.










Boxed Set, never opened.  Ex Libris with medical symbol.  Contains 50 bookplates.










Boxed Set, never opened.  Ornate medical symbol, Ex Libris.  Contains 50 bookplates










Boxed Set, never opened.  Hippocratic oath.  Contains 50 bookplates.









Boxed Set, never opened.  Hippocrates with symbol over Greek building.  Contains 50 bookplates.










Carded/Enveloped Sets of Bookplates

Boy in a Tree - 2 plastic packs of 11 cards each (22 total).  Peel off backs.










Ex-Libris Cat on Books.  Paper pack of 12 cards.  Never opened










Girl Reading.  Plastic pack of 15 self stick, peel off back bookplates.










Jungle image.  Plastic pack of 13 self stick, peel off back bookplates.










Fantasy dragon.  Paper pack of 12 self stick, peel off back bookplates.